Another one of the occasional posts showing life from the other side of the door, I’m lucky I get to see this from time to time. This is an Instrument approach into Queenstown EN Zed. I must go there one day.
This week there’s been quite a kerfuffle about Bachmann’s 20% price rise, most noticeably on assorted forums and meejah. Basically rising costs have meant that Bachmann have passed on elements of that rising cost to the end user, the man on the Clapham Omnibus. It would appear that this is going to be the end of the hobby, the thin end of the wedge driving people out of a ‘rich mans’ hobby. One even mentioning that they knew of the coming increases at Warley last year. Well cynical old me, but I doubt that very much. The hobby started out as a rich mans plaything certainly, and the high quality end of the hobby has, and always will be expensive, but that’s no different to any leisure past time. The hobby is cheaper now than it has ever been, in my experience of about 40 years or so. The contemporary Ready to Run models offer outstanding value for money compared to the alternatives, just go and price a Judith Edge Sentinel vs the Hornby one, a DJH 9F vs Hornby/Bachmann, a Comet BR Mk1 against Hornby/Bachmann etc etc. The price of a kit and its components is going to exceed the RTR equivalent in 4mm scale.
The fastest way to reduce costs is to minimise your spending, and yes that’s a bit of a statement of the bleedin obvious but I do feel sometimes it needs saying, ‘tough love’ and all that. My interests cover a wide range of railway prototypes, and even prior to this announcement I had thought that there are things I’m never going to use in my collection. So, get rid of them, sell them. Apparently second hand prices had already started to rise because of this announcement within a day of the news breaking, so sell now!
You could turn this price rise to your advantage modelling wise, and I’ll use Albion Yard as an example. The era I have chosen runs from mid 1950’s through to the 1960’s. In that ten years or so the railways got well and truly stuck into the transition era, one of the reasons its so interesting. The picture above shows some of Albion Yards motive power, (the Standard 2-6-4T is just for photo purposes) and it could be reduced easily. The 03 shunter isn’t really Forest of Dean, same for the 4MT, those can be culled immediately, a more than 20% cut instantly and a saving if not purchased of £140ish, using the Scally price index. The prime reasons for doing this are neither of them ran in the Forest, the same can be done for the Ivatt 2-6-0, though that is a more realistic candidate for operation in the area and that’s another £90 saved. That leaves me five panniers and a 45XX. Two of those panniers are DCC sound, done as test pieces. Remove the sound from them and resell the chips, £140 the pair at a guess, possibly more. I could sell the whole locos of course and make a bigger return. If I do that I’ve now got four locos left. Those four, three panniers and a 45xx still give me a prototypical ‘fleet’ and allow me to ring changes at home, and have a small reliable fleet for an exhibition with some redundancy for failure. I wouldn’t want to go to a show with less than four locos for a one engine in steam branch. It has also refined my era to no later than 1965, so if we look at the header picture the ‘Teddy Bear’ goes despite it being a signature engine for 1965 onwards. I can do the same with the goods stock. I have very few wooden plank mineral wagons anyway, but if I choose 1960 for the sake of it, I can get rid of all but maybe one, as by that time the ubiquitous 16t steel mineral reigned supreme. Any TOPS coded minerals/wagons for the late 60’s era can be disposed as can wagons in the later bauxite or freight grey colours. I’ve not worked out how many of the wagon fleet would go, not many, but there would be a reduction, same with brake vans one each unfitted/fitted BR standard 20T van and two GWR unfitted Toads, still ending up with the right ‘mix’ in variety and use. So, the new products that are in the pipeline? Well a 64xx at £82 will be nice so we’ll have one of those. That brings our fleet to five locos. So selling stuff may actually refine the layout in terms of historical accuracy, conversely if I were starting out being era and location specific to prototype could minimise your spending at the outset.
With Albion Yard of course we are looking at a small layout, I also own Bawdsey http://bawdsey.wordpress.com/ and a similar exercise can be done with that by culling a class 24, class 15, and class 08. My coaching stock on Bawdsey could be reduced and purely replaced with the DMU traffic, the freight stock is pretty much the correct mix at the moment. As far as ‘new’ items go the obvious contenders are a 101 DMU, and replace one of the others, more likely the Cravens. If I want to go back in era then a Hornby J15 and the non corridor coach stock will be needed, but if I want to reduce costs and keep prototypical I still can with minimal effort. So is 20% such a deal breaker? I really think it isn’t, I’d prefer it not to be there of course but this is real life, the make believe is for our trainsets. Of course this may be pricing ‘real modellers/enthusiasts’ out of the market, but I’ve never known what price index or salary scale is to be applied to a real modeller or real enthusiast to make any sense of such throwaway comments. I suspect many of us that worked hard enough, overcome difficulties and have been fortunate enough to reach wherever we have in life that allows us to buy luxuries like toytrains, will find such disparaging comments glib and facile. I certainly do. I was surprised to see a comment that one person was allocating £1500 (minimum) for this years new RTR purchases on pre increase prices, so is cutting £300 or thereabouts really going to eat into the big scheme? Careful selection or refining of what you actually need rather than desire shouldn’t damage that project too much, if it does I’d love to know how.
Having used the scally price index its clear that it won’t be long before the ‘box shifters’ are blamed for the demise of the small model shop in this 20% argument. That smaller shops will need to be sharper and offer ‘more’ to their customers is without argument. What is often forgotten is those ‘box shifters’ were small shops at one time, and they have grown, I wonder why? I suspect its because people used them, and Mr Ben the Shopkeeper worked out why and thought, this works, we’ll do a bit more of it.. Others, Beatties/Railmail didn’t. If of course the shifters are such a problem then boycott them and pay the local shop rate, or do that terribly unBritish thing, and go and haggle. Still the price increase will make Rapido’s model seem affordable if our prices are rising by such an (allegedly) unsustainable rate.
Wonder if anyones worked out its not a locomotive yet ….
My good friend Mr Cooper of ‘The North’ has written eloquently http://newheymodelrailway. regarding how the standard of the reporting of recent shows exhibitions has slipped of late. Some of course may agree with him, but one thing is clear, nothing stays still and perhaps this is the natural evolution of the hobby in the digital age. So if Andy’s right the thing exhibitions need is toy trains, cake, tea, and pictures. I’m sure as a widely experienced exhibition goer and organiser he’s already taken those key things on board, so that’s all good. There are a good number of shows throughout the year, some say, too many. The point is it’s a crowded market place out there, so what will bring the punters through the door and what does the new exhibition manager need to attract customers over the threshold? These aren’t so much problems, as solutions waiting to happen.

This is how I envisage the future exhibition managers tool box will look. Firstly quality toy trains to get the hard core enthusiast through the door. Once through the door however the interest needs to be kept at a state of cappuccino like froth near euphoria, and adequate sustenance readily to hand. Tea, or coffee, (372 varieties for the southern softies) should be readily to hand. It should be either hot, for UK patronage, or cold with ice in it to entice the colonial cousins through the door. Luke warm simply won’t do. Cakes, (north of Watford Gap clientele ) or pastries (refined northern home counties and south, excepting Luton) as illustrated. Ingredients such as free range eggs shall be ‘de riguer’, unfortunately that’s French and will probably be given a ruddy good ignoring. Local variations of course will apply, so northerner exhibition fare will include gravy for their cake, as they seem to put it on just about everything else. Lets face it someone will bloody moan that there was no gravy for their cake if its not available, so restaurateur styley, just head them off at the pass.
So wrap your model in 2mm sheets of filo pastry, (wrong choice of model, should have used a BR1C, then I could have done the tender morsel joke), ensuring that the entire model is covered before basting it with a covering of choice using a ‘OO’ brush. We won’t bother advising if you use acrylic, enamel or laser to glaze it before popping it into a warm oven for 16.5 to 18.2 minutes.
When removed from the oven let it rest and relax. This will be difficult for most exhibitionistas to do, the temptation to tear open the pastry, and take pictures of exactly the same filling that everyone else has bought will be hard to resist.
One thing we have yet to see in these various reports are exhibition selfies. Its surely only a matter of time before someone posts a picture of what looks like a bloke hiding behind a burst sofa, with a model railway in the background. Interestingly Nokia’s survey of 4,000 Brits earlier this year found that a whopping 36% of posted selfies on social networks. A risky 7% of Brits even take pictures of themselves in bed. Figures for selfies taken at train shows haven’t yet been remotely considered released. One thought is to take a picture a day and see your life in a whole new way. If however, that daily picture regularly consists of yourself sitting in front of your computer skip to this page now, http://fifteen-minute-heroes , its in your best interest…
So, hints and tips then. When taking a selfie it’s smart to be aware of what’s going on behind you – and make the most of it. Though it’s best to keep the focus on you (me, me, me,) at least half of the beauty of a selfie is that it shows you’re somewhere:
A/ Interesting
B/ Amazing
C/ In a train show.
The social media side of the hobby is open for exploitation, the logical repository for these selfies is MySpace, as that has the least amount of users and therefore the potential to grow the fastest. So get out there, selfies is where its at, no more frustrated layout owners being blinded by the camera flash going off in their eyes, they’re not going to mind if you take a pic of yourself with them as a background. Neither will your fellow exhibition visitors mind, they’ll happily make way for you amongst the three deep crowd around Gresley Beat as you stand, back against the barrier, with your arm full length, gurning into your smartphone reaching for instant martyrdom fame and fortune.
So don’t forget, next show you’re at, take selfies, cos ‘we want pictures’ …
I’ve often said it but time is the most valuable commodity we modellers have. It matters not if you ‘buy’ time, either literally by paying someone to do something for you, or making the best use of your own time to carry an element of the hobby further. Its also not a crime to pay for people to make things for you, literally, or on mates rates swapping tasks and abilities. A brilliant example where paying for products/help is in some of the makeovers I do on RTR equipment. Many of the modifications I do can be done ‘long hand’ flush glazing for example.
This week I had the privilege of helping Brian at Shawplan tool up laser cut windows for the Hornby Sentinel which I looked at over the new year period. https://albionyard.wordpress.com/2013/12/27/hornby-2015-predicitons-and-sentinel-maintenance-101/
A great little model just crying out for a bit of personality and ‘fine focus’, well here it is with a bit of weathering, new windows and a subtle repaint of the removed original lettering. What’s that got to do with time? Well the glazing modification takes just about an hour, including the internal repaint of the cab, where the time was saved is in not hand cutting new windows. Yes there was a cost for the windows, of under a tenner. For the time saved and the appearance benefit, that money well worth spending as well as the fact that the components fit, that’s what we want and need from todays products. It’s not just these and similar products that help, it is a mental attitude to ‘do something’ part of the ethos behind my 2012 fifteen minute heroes. It doesn’t need to be a big thing you do, this year I’ve built a small ‘shelfie’ layout, (fits on a shelf, made by me) and that’s been great fun and produced another photo set, much like Albion Yard has been. The photography has been rekindled for me, the images here are all from an iphone5s, I had a chat recently regarding editorial photography with some requests for me to provide some images for consideration. Without making things to photograph I would have been behind the curve to provide pictures. What I have done is dust off the DSLR, borrowed a GoPro, used the Iphone and the Canon G10. I’ve also been offered gallery space to sell images. Time to make time to get snapping!
So its a bank holiday, got nothing on?, then make something, I dare ya! Remember if you’re part of the hobby, then that’s making and playing trains. If you find your railway modelling is sitting looking at the interweb and shouting and typing angrily on forums and theres little time to do any modelling, then your hobby is actually shouting at computers, not railway modelling.
There’s a distinct difference, try it!
Hero’s in toy trains? Well here’s two of them. A GoPro hero, and a Bachmann 08. GoPro cameras are well known for their build quality, functionality, compact size, robustness, and last but not least image quality. The second hero here as anyone who has a good one will know, is the Bachmann 08. What better locomotive to use for controllability for filming? The tankers are Peco wonderful wagons with sprung buffers the open (in the absence of any depleted uranium, is carrying modelstrip, which has similar mass qualities. Thus the filum train will traverse the yard with smooth steady progression capturing, well, that’d be telling …
Well that’s a wrap as telly and filum experts would say. Paul Lunn and I have just finished two days filming with Chris Walsh of Activity Media. The two days were quite intense with changes from layout to layout, Albion Yard , Bawdsey and Wharfedale Road featuring as well as some of Paul Lunns highly effective and inspiring full size card mock ups.
This is one of them that has really captured my imagination, especially with Hornby’s Sentinel shunter and perhaps presflo’s and covhops on the mix too. It’s got that ‘Something about Mary’ feel to it that makes me want to give it a try. As Albion Yard is up for another day or so I have access to a new camera we may just try something different, the fog pictures taken by Chris Nevard worked so well, and the potential to push a few boundaries and foamers buttons, by doing something different is so, so, tempting. Watch this space!
With just a day to go before filming and still work to do, I’ll probably be on my 29th let alone 19th by the end of the week! Pretty much everything else is done, Paul Lunn has worked the ‘storyline’ up for us to follow, and we emptied the studio earlier to set up!
All I need to do now is finish ‘dressing’ Albion Yard with the buildings and trees, and may just take a few minutes to play trains. The Korean Samhongsa 97xx has had a run, and is in need of a little TLC in the chassis department, basically lubrication and pick ups adjusting, but it’s showing real promise as a quality runner.
With filming commencing this week on a layout planning DVD, myself and Paul Lunn are beavering away to get everything complete. This is Wharfedale Road, a ‘shelfie’ I’ve built for the filming and have a day or so left to complete it. So, no pressure there then!
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